The Body, the World, Technology and Culture
The Body, the World, Technology and Culture (1)

1. "Inside life": an ambience which is plastered with images of the inside of the human body, equipement for the control of vital funcyions, a neurological multivision, a large reproduction of the head of Michelangiolo´s David which, opening like a book, discloses the brain. The lighting was realized using Targetti´s Unitrack system

The Body, the World, Technology and Culture (2)

2. "the journey": the floor portrys the division of the world in east and west, travel films are projected on two vidiwalls, mannequins dressed in the costumes of Cristofero Colombo and Marco Polo, on the cupola the reproduction of the world showing the routes taken by the great explorers




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From the central gallery an iter is unravelled to wich Palazzo Italia itself has conferred a centrifugal and sequential course: "nomadic" in the sense that is as though the visit itself provides not so much an opportunity for contemplation − proferred in many other instances, like when theatre-goers are seated in such a way as to appreciate stage effects - but an opportunity for initial involvement, movement in space which reflects movement in time and movement in time which reproposes cadences of thought. The installation project has trasformed this conceptual spiral in a labyrinthine experience, homologizing its various sections within a common frame of architectural reference, articulating the visitor´s route in an alternation of analytic and syntetic moments, of rational and emotional references, of demonstrations and performances. (l´ARCA, n° 64, October 1992)
Seville, Spain
(In collaboration w/ Arch. C. Casati)
Piero Castiglioni